His chamber music output includes sonatas for tetrad-h& piano and for violoncello (alternately for viola,) wind quintets, over xxiv string quartets and a prefer total of string quintets playable by owning quartet & either violoncello & double bass, or even with 2 violoncello — prefer Schubert's and victims of another composers, though this instrumentation remains a minority. (His piano quintets likewise have double bass, rather Schubert's & Louise Farrenc's.) His secon500 symphony (D shaver, piece 42) shows a few commonality of style sustaining Beethoven, particularly in the striking 1st movement, & using Schubert.